Radio Theatre

©Anne Victoria Photography

  Radio Theatre: Western Romantic Comes of Age as Spy; Behind the Scenes of Sci Fi Horror at Thanksgiving!*

(*We ran out of characters to include the full made-up title in the headline)

Co-creator of Take It With You live radio theatre, Blake Thomas, joins us for a preview of the show that's

Lori Kempton/Twin Ports Stage

Fresh on the heels of a successful comingling of Duluth and Superior mayors in Love Letters, Twin Ports Stage is feeling pretty good.

The mayors had so much fun they'd like to do another show together, the public was impressed by their "hands-on helping" and the gutting of their proposed new space is done.

We speak with Robert Lee, the artistic director for the Underground Theatre in Duluth about their new production, the What She Said One Act Festival, a celebration of new plays written by women playwrights from around the country, and directed by women of Duluth, Minnesota, highlighting women's voices.

Radio Theatre is produced at KUMD with funding provided in part by the Minnesota Arts and Cultural Heritage Fund.

Crimson Clear Productions/The Duluth Playhouse

The Importance of Being Earnest: A Trivial Comedy for Serious People is onstage at The Underground ... and it all goes to show that 122 years after its debut in London, it's still making audiences laugh.

We speak with Kate Horvath, the Children's Theater & Education Program Director of the Duluth Playhouse, about how bringing children to the theater can educate while it entertains.

©Nichole Modeen/The Duluth Playhouse

La Cage aux Folles (The Birdcage) raised a few eyebrows when it premiered on Broadway back in the '80s.  At that time, two men singing a love song to one another was unheard of on stage. 

Now, in the Northland?  Audiences are embracing this singable, danceable love story that asks, can I be myself and still be loveable?

©Karley Schoenberg​

Singer-dancer-actor Ryan Haff on the physical training for acting, handling a crowd who has your show memorized perhaps better than you, why acting is better than soccer and more on Radio Theatre.

©Andy Miller

Director Julie Ahasay talks about The Pavilion, her current show for Renegade Theater Company.

It's a story about do-overs: the ones you want, the ones you think you want ... and the ones you actually get.

When 2013 College of St. Scholastica grad Shane May was tapped to direct a play for his alma mater, he only knew a few things: it had to be Greek or Roman in origin, he wanted a tragedy, and he still wasn't sure what to make of the whole "Greek chorus" thing.

A chance viewing of the Puppet State Theatre Company of Scotland's The Man Who Planted Trees five years ago  resulted in a performance of the show at UWS ... plus community partnerships to give tickets to the show and copies of the book to area schoolchildren.  

©Nicole Modeen/The Duluth Playhouse Childen's Theatre

If you're hoping to get in to see the Duluth Playhouse's production of Disney's The Lion King JR., well, Duluth has sold out shows just like the Big Cities ... and rush lines (or lists), too.

Laboring away quietly in the basement of the Duluth Depot, the Underground is busy making theater.  In recent weeks,  we've featured productions like Green Day's American Idiot and Gilbert and Sullivan's Ruddigore.  Now the 12th Annual Short Shorts Film Festival returns with another crop of entries: all five minutes long or less and all family-friendly.  But this is not a quaint little local event; the festival features submissions from Asia, Europe, Israel and South America, not to mention states all over the US.

The UMD School of Fine Arts Dean Bill Payne talks with us about the Theatre Department's current production of teh Scott McPherson play Marvin's Room, a comedy of family connections.  Payne, the show's director, shares with us that the way it deals with the theme of caring for a bedridden parent are very relatable to a wide audience, as dealing with illness and loss are universally experience

The formula: 6 playwrights, 6 directors, 24 actors, and 1 musical guest create six new short plays in the course of a single day — and perform them in front of a live audience that night. The result: The 24 Hour Plays.

The Underground

Director Jeff Maddison on Gilbert and Sullivan's Ruddigore: the fans, the music, and why a little judicious editing never hurt anyone.

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